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ROBERT HROMEC

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  • ĽUDO PETRANSKY Jr.: MAN AS THE SYMBOL OF THE WORLD (interview), Danubiana, 2002 (EN | IT |SK)

    February 10, 2002
    Essays

    The exhibition at the Danubiana Meulensteen Art Museum is one of your largest independent presentations during your time on the artistic scene. What form will your artistic offering take in this space ?The centre-point of the exhibition is primarily conceived as large –format pictures coming out of the last two or three years. The space…

  • BARBARA GINDL: ELLAZ, Bratislava, 1997 (EN | IT |SK)

    February 10, 1997
    Essays

    To live at the turn of two millennia is both luck and handicap at the same time. Premonition of the end of one epoch evokes doubts about everything brought along by the new millenium. Not a lack, but a superabundance of answers to the many questions about the picture of the world in the the…

  • TONI ANN SERRATELLI: A PEEK INSIDE ROBERT HROMEC’S STUDIO, New York, 1996 (EN | IT |SK)

    February 10, 1996
    Essays

    Robert Hromecs studio nests in the center of New York City, with Times Square seen from the windows. Viewing a large amount of Roberts works at once, standing amidst those in process, and seeing the objects he collects creates a tension with quite different energy of the life just outside this studio. Even though many…

  • HOPE E. BUCHHOLTZ: THREE DANCERS SERIES, New York, 1996 (EN | IT |SK)

    January 10, 1996
    Essays

    Robert Hromec‘s art explores the very nature of our existence. In his mixed media works which combine painting, drawing and printmaking, we encounter a unique pictorial language, one that juxtaposes the human experience with its environment and joins the dream world to the conscious state. Hromec´s figures are ambiguous and universal, often represented by a…

  • The early years in New York

    The early years in New York

    February 10, 1990
    ART

  • PRINTS

    PRINTS

    February 11, 1989
    ART

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